British Seaweeds 115
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H From the archive
From the archive
The Seaweed’s Own Impression
Plate 115 in Henry Bradbury’s four-volume work from 1859–60 is not a drawing in the usual sense. For the nature print, a dried seaweed specimen was pressed hard between steel and lead; the impression was then transferred to a more durable copper plate for printing. The method produced a kind of botanical self-portrait, with details that would otherwise have required an illustrator’s hand.
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The story behind the motif
In 1859, the English printer Henry Bradbury published The Nature-printed British Sea-weeds . In this poster we see the illustration British Seaweeds 115.
Bradbury was quick to begin using the method of "nature printing" - a process of using plant or animal material to create a print. The process had previously been developed by the Austrian printer Alois Auer.
Bradbury placed the subject between two smooth and polished plates, one of steel and one of lead, which were then pulled through a pair of rollers. When the plates were then separated, an impression had been made on the lead plate, which was then hand colored and transferred to the final print.
At the lower left edge of the poster we can see the text " Nature printed by Henry Bradbury ".
Frame not included.
Please note that the images are cropped slightly differently depending on the size you choose. Read more about image and image quality here: FAQ .
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British Seaweeds 115
219,00 kr
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Exclusive paper
Our posters are printed on 230 gsm matte museum-quality paper. The paper has a soft surface with a subtle texture and a warm tone that gives the motifs remarkable depth and rich color reproduction.